Samir Bharadwaj dot Com Everything I'm doing when I'm not doing everything else 2008-05-11T13:39:33Z WordPress http://samirbharadwaj.com/feed/atom/ Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Speed Racer - movie review]]> http://samirbharadwaj.com/blog/speed-racer-movie-review/ 2008-05-11T13:18:03Z 2008-05-11T13:18:03Z speed racer speed racer movie wachowski brothers cartoon speed racer mach 5 car speed rex trixie racer x emile hirsch christina ricci matthew fox susan sarandon john goodman scott porter movie review Speed Racer movie - Speed and Trixie in the Mach 5

The Wachowski Brothers have an immense reputation to live up to following the seminal Matrix trilogy. After that epic SF philosophical musing, they have now chosen to tackle the more straight-forward world of retro anime in the new Speed Racer movie. What came across in their previous work was the consummate nature of their vision and their execution, and I am pleased to say Speed Racer doesn’t disappoint in either department.

Classic anime was a very important part of my education. By education, I mean all the influences and inspirations that mould us as human beings, and by important part I mean that it kept me sane. In a world populated by children who enjoyed being talked down to by little men in large bird suits, and thought the WWF (now WWE) was both entertaining and “real”, I had nowhere to turn to for mind fodder on the small screen once I had consumed my share of Star Trek TOS reruns. Anime such as Speed Racer came to the rescue, because at last there was something that was fantastic, entertaining, and also more grounded in reality than the hordes of pantless animals with bad diction that passed off as children’s entertainment.

Speed Racer movie - Matthew Fox as Racer X

It is important to understand, that what seems like retro kitsch over acting in hind sight, was at the time a refreshing breadth of maturity compared to everything else. For this early exposure to Japanese animation I can be thankful in no small part to toy merchandising. The 80s glut of toy merchandising cartoons made it possible to watch cartoons as a kid without completely switching off your brain, and it introduced you to the fact that these Japanese people know how to do some really fancy stuff with a pencil and some animation cells. Many of these titles were clearly influenced by the, then already classic, Speed Racer cartoon. I can think of so many car, vehicle, and motoring based titles that made an impact: M.A.S.K., Pole Position, and the resurgent Transformers. If I remember right, the design of the vehicles in Pole Position were very Mach 5 influenced, and even films such as the campy but brilliant Death Race 2000 took a lot of tips from the Speed Racer manual.

There is a whole history and culture behind Speed Racer, not just in the original cartoons and the characters, but in everything it inspired and all the people it helped assure that cartoons for kids can be about reasonably real stuff. The world of motor racing and even exaggerated motoring intrigue is all pretty real compared to most of the other material of popular animation. One has to wonder whether anyone would have thought an animated series about cars and drivers could be a winning proposition before Speed Racer came along? The reason I mention all this history is because it is quite clear that the Wachowski brothers know and understand all this, and they kept it in mind when making their movie version.

Speed Racer movie - Mach 6 on the race track

The Speed Racer movie is a visual shock. Using the increasingly popular technique of location-free green-screen shooting, popularised by the likes of Sky Captain and the World of Tomorrow and 300, Speed Racer drowns you into a surreal world that looks like a logical projection of what the frantic anime world of the Speed Racer cartoon would be like in an unspecified future. When I first saw the trailer of this movie I had serious doubts, because the colours were loud and psychedelic, the mattes were practically obscene, and the action was hallucinatory and epileptic all at the same time. Everything I just said is still true once you see the entire movie, but it is given context in a full viewing, which makes it a relevant and valid choice in the art direction and execution of the Speed Racer universe — not to mention fun. This movie is about racing and the directors have taken every effort in making that the focus of the film’s aesthetic, while at the same time giving nods to the original source material and classic films of a similar ilk, such as Death Race 2000 and Danger Diabolik, in the process.

Speed Racer movie - Christina Ricci as Trixie

No movie works without the right cast, and here is another department where the new Speed Racer is full of good choices. Emile Hirsch wouldn’t exactly have jumped to mind for anything prior to this, but he does a very commendable job in creating a believable and human character in Speed. He brings some real nuance to the role, even though he is mostly whizzing past in a trail of neon lights as plenty of CG sparks light up the night — not an easy achievement. Speed’s girlfriend Trixie is well played by Christina Ricci in complete bubble gum colours, which is very reminiscent of the original Trixie in the cartoon. An excellent job is done by Matthew Fox as the mysterious Racer X. It’s nice to see this actor shining on the big screen because he has a great screen presence. This gives me hope that we shall see much more of Mr. Fox once his Lost commitments are complete. Young Paulie Litt recreates the character of Spritle with style, Scott Porter makes a very strong appearance as Rex Racer, Australian actor Kick Gurry plays an entertaining Sparky the mechanic, and I have to mention that there was a chimpanzee involved too. While all those good performances count, the cast is really anchored by the veterans of the game. Susan Sarandon and John Goodman let their experience show by playing Speed’s parents completely straight and from the heart, and the story is the better for it.

Speed Racer movie - Emile Hirsch as Speed Racer

Straight and from the heart is really what this movie excels at. In spite of being almost completely one long special effect, and in spite of the seemingly frivolous source material, Speed Racer never flinches at being totally heart-felt and un-cynical. In an entertainment world where every old story is given new twists and revisions to make it more hard and gritty for the fickle teenage audience, Speed Racer chooses to go the other way. This movie is, dare I say it, good and wholesome. Some would say it is so to a fault, but I think it proves that you don’t always have to make things complicated to make them engaging.

The Wachowski brothers have given Speed Racer the qualities of a futuristic fantasy action flick, with the heart of a well meaning children’s tale, and they manage to pull off both of these earnestly. If you are a fan of the original cartoon, or have a single child-like bone in your body, you will not only enjoy Speed Racer but love it. It is a strange and wonderful beast that skirts the edge of modern motion-sickness-inducing cinema, with good old fashioned storytelling, where the good guys are good, the bad guys are bad, and there is always an exciting last lap to the finish line. That is a hard direction to take today, and the team behind this wonderful piece of cinema should be commended for their courage in taking it.

Samir

… and I didn’t need to say “Go Speed Racer, Go!” even once … ;)

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Living in Dubai and Life Around the Watering Hole]]> http://samirbharadwaj.com/blog/living-in-dubai-and-life-around-the-watering-hole/ 2008-05-02T18:35:18Z 2008-05-02T18:35:18Z dubai living in dubai dubai living middle east city shawarma chicken shawarma sandwich juices fast food whole chicken oven roasted chicken arabic food kerala melting pot multi culture Living in Dubai - chicken shawarma menu designDubai rarely puts me in a receptive mood. I don’t know if it is the same for everyone, but I don’t notice as much minutia when I am in this, my current home city. This could simply be my senses shutting down due to lack of stimulation, because in spite of all the glitter and hype, Dubai is still a proto-city that lacks real character. When I’m in Bombay the assault on my brain is such that my consciousness expands to take it all in, and there is an almost surreal cognition of the strangest insignificant detail on a crowded street. Such insights rarely grace me when I’m living in Dubai.

It is not all hopeless. If you walk the streets of old Dubai, dive into its fragrant souqs, and get a taste of what this place is like below the surface, what it must have been like before the coming of the glass-fronted buildings and the too numerous sports cars at every street light, you sense a twinge of hope and also feel a sense of loss for a world that is being systematically destroyed by ruthless and thoughtless modernisation. You can sometimes feel the same twinge of greater things in a few of the modern developments, when you look around and realize that you are surrounded by people from a hundred different lands all carefully ignoring the stark but stunning display of lingerie in the latest Calvin Klein store front, but these occurrences are rarer than they should be. While the mass of differences mingle, this city has a way of getting them to average down to a lesser whole rather than rising to a harmonic crescendo.

Such are the perils of existence in the world’s current ‘it’ city, where the sum of the myriad variety of parts is often a luke warm whole, and where the collective hallucination of glamour eclipses all else. That being said, living in Dubai does have its flashes of reality and sometimes even down-to-earth humanity if you catch it when no one is looking. I was at one of the numerous fast-food and juice serving cafeterias a few nights ago. I’ve been going there for years, and being the curious observer that I am, I have always made mental note of some of the interesting people who come there and the exchanges that follow, but yesterday I noticed more. Perhaps it is a side effect of having recently returned from Bombay, and my mind desperately searching for detail, pattern, and interest in this tiny desert of a city, but yesterday I saw the forest and another ray of hope for Dubai living.

The establishment in question is located near Lamcy Plaza on a relatively busy side street of the Oud Maitha area, home to hospitals, schools, social clubs, and all manner of similarly respectable and dangerous places. In the 80s and 90s this was not much of a residential area, in spite of being adjacent to Karama, the most densely populated piece of real estate in the entire region. As the population exploded over the last decade and demand for new housing grew, with new waves of immigrants arriving from Eastern Europe, the Far East, and other foreign shores, this area began to sprout a wide selection of typically featureless, moderately luxurious apartment blocks that were the staple of Dubai living through the 90s. I remember scouting around the place for an apartment myself about 6-7 years ago, before my family moved into our current home. Even back then the place boasted an eclectic mix of people, with a Korean, Russian, and a Japanese food store all within spitting distance of each other, nestled between sprawling coffee houses where the largely local clientèle flocked to get their fix with the latest flavour of shisha (the hookah pipe, or hubbly-bubbly). The advantage of this place is that it lay smack dab in the middle of the economic scale of things. It was not as unapproachable as some of the posher sections of town, nor was it as decrepit as some of the older areas. This encouraged and continues to encourage residence by a healthy mix of inhabitants from many walks of life and many more cultures.

Like the majority of small fast food outlets in the city, our cafeteria in question is also run by a group of enthusiastic Indians. Hailing from the heavily communist influenced southern state of Kerala in India, this community makes up for their constant state of politicking and striking back home, by being one of the most hard working and widespread peoples of the world today. It is a common quip amongst those who know that there is no country or place on this globe where you won’t find at least one small tea shop run by a Keralite. While that is said in jest, I like to think it is also said with a healthy dose of guarded respect for this enterprising bunch.

Parking in busy places such as these is one of the challenges of living in Dubai, and since we generally do not like to take the popular but strenuous route of stopping on the side of the road, we found some readily available space a short walk away and went in on foot. It was getting late and the place was a cauldron of activity. Bright mercury vapor lamps illuminated the three tables on the sidewalk, and inside the few tables were occupied, with the waiters buzzing about carrying plates and packages. Places such as this possibly receive the majority of their revenue from take-away orders and that’s exactly what we had in mind. We stepped into the tiny place to give our order to the man at the counter. Although we now know almost the entire menu by memory, we picked up the cacophony of colour and bad photography that usually serves as the menu in these places and browsed.

The small group of Filipinos on the table behind us exclaimed appreciatively as the waiter brought in their order, which consisted of various wraps and sandwiches, and a selection of phantasmagoric liquid concoctions in tall glasses. We waited at the counter as the man there dealt with another customer. A heavy set man of African descent, wearing a light tee shirt and jeans, was trying to decipher the photographic menu.

“What is this?” he asked, pointing.

“That meal,” said the man at the counter. “Fish Burger Special, with juice.” Special is the local cafeteria lingo to say that it is served with some French fries.

“What juice?” inquired the man in the tee shirt.

“What you want?” was the reply from the counter, more as a statement of fact rather than as a question.

“What you have?”

“Orange, pineapple, kiwi, …” The oratory went on as a decent list of fresh fruit juices were rattled out.

Finally, the big decision having been made, the man stepped aside. We gave our order and stepped out. The place is small, and gets stuffy when there are enough people in there, not to mention the fact that the single room is separated from the live heat of the traditional shawarma oven by only a pane of glass for added atmosphere — another common Dubai sandwich place convention. The night air was cool, considering it was almost May. The sidewalk outside the place is an extra-wide one, leaving enough space for a row of tables, a well positioned row of potted hedge, and enough room for the scant Dubai foot traffic to pass by without being inconvenienced.

A blonde woman in a white outfit walked past and entered the cafeteria. The African gentleman still stood resolutely near the counter, as out of the way as was physically possible in the circumstances. The woman picked up a stray menu from a table and proceeded to study it. From the way she did, I got the feeling she was a regular. She was of medium height, sported a pair of stylishly severe horn-rimmed glasses and white trousers. Her shirt had an even black and white chequered pattern, which in my mind made her look like a character in some modernist revival of Alice in Wonderland. From the look of her she was probably East-European, hailing from one of numerous former Soviet states. She gave her order, signaled with her hands that she would be back in a while, and then she walked briskly out on to the sidewalk. Darting across the street, she disappeared into the silver and red trimmed apartment building that stood there. I was right, she was obviously a regular.

Outside the cafeteria, two of the three tables were occupied. A small man wearing a pristine set of semi-official clothes sat alone at one. His table was laden with a whole roasted chicken, a plate of salad leaves and other raw vegetables, and a stack of Arabic pita bread. This is a common meal in these joints. A standing steel roasting cabinet with a glass front can often be seen out front, whole chickens rotating on their spits within. This image is as iconic of these establishments as is the inverted cone of shawarma meat that roasts there through the entire evening. There was something very French about the man’s face. Perhaps he was Lebanese. He sat there in silence, meticulously devouring the well browned bird on the table in front of him.

The occupants of the second table on the sidewalk were not as unobtrusive. A small group of young South-Asian men wearing bright coloured tee shirts and bell bottomed jeans had staked their claim on one of the tables while we were placing our order inside. They too had ordered a whole chicken with the works, amongst other things, and the waiter continued to add to the already over-taxed real estate of their white plastic table. It turned out they were from Pakistan, because a clearly audible discussion about the political situation back home was proceeding over the fast disappearing chicken and hummus on the table.

“Our politicians are worthless,” said one of the bunch, in Urdu. “They do nothing for the people.”

“But you can’t only blame them,” retorted another. “What have our people ever done to make things better or to deserve anyone better in government?”

Universally wise words indeed, I thought, and the discussion continued.

Many cars stop on the side of the road and honk to get their order taken in places like this — a rudimentary drive-through of sorts. A handful had already done so as we waited there, and now there was another loud honk. The man tending to the chicken shawarma stepped out of his hot cubicle and sprinted across the narrow road to the waiting green and white police SUV. Instructions were given through the lowered window. The man from the cafeteria ran back across the road, rummaged through a cooler inside the place, picked up something else from the counter, and jogged back across the street. The can of Mountain Dew with a bendy straw went into the vehicle, some coins came out, and then the Police drove away.

By this time the Pakistani group were completely lost in their conversation, and the lone man was almost done with his meal. An Arab man wearing a traditional white dishdasha walked up to the third table and sat down. From the cut of his garment, he was probably Egyptian or Syrian. He waved his hand about in the air till he caught the required attention, and went on to interrogate the waiter about the wares on offer. The African man, who was still waiting patiently inside, was finally rewarded with a plastic bag containing a tall sealed paper tumbler of juice, and your standard mystery Styrofoam burger box. He seemed satisfied as he stepped out, crossed the street and ducked into a small grocery store adorned in Coca Cola colours. Another police car stopped by and honked. This time the window rolled down and the driver indicated ‘one’ with his index finger in the general direction of anyone from the cafeteria who might be looking. One of the vigilant waiters went in and promptly returned with a small white Styrofoam cup of steaming chai (milky, brewed tea) which he delivered to the waiting law men.

Our order was almost ready. When we noticed the various white paper bags of sandwiches being assembled on a table inside, we went in to take stock. The bill was cleared, and as we stepped out laden with our dinner for the day, the blonde woman from earlier came out of the foyer of the building across the street and headed towards the cafeteria to pick up her food. While we walked towards the car, the Arab man on the outside table was gesturing impatiently, a pair of Chinese women in noisy boots were walking by at a brisk clip, and in a 3rd story balcony across the street, an Arab women with heavy makeup was having an animated conversation on her mobile phone, punctuated by many utterances of habibi (my dear).

Living in Dubai rarely puts me in a receptive mood, as a result of which I often don’t notice the little details hiding behind the exterior veneer of this dwarf metropolis. But sometimes, ever so often, the veil of chrome is lifted and the city reveals flashes of reality and even humanity. It only requires a second look and a fleeting glance at the creatures that pass you by on the pristine tiled sidewalks of the vacant streets.

Samir

Photograph: In a previous lifetime, I once did a menu design for a shawarma joint. Despite my better judgement, I was ordered by the client to have a large chunk of chicken shawarma meat graphically depicted on the cover, with bread and an oven lurking on the back. Not one of my proudest moments, but I thought it was particularly appropriate for this slice-of-life about shawarma joints and living in Dubai.

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Race - movie review]]> http://samirbharadwaj.com/blog/race-movie-review/ 2008-04-08T19:24:24Z 2008-04-08T19:24:24Z race hindi movies bollywood abbas mustan saif ali khan akshaye khanna bipasha basu katrina kaif sameera reddy anil kapoor Race - Hindi Movie - Bipasha Basu, Saif Ali Khan, Akshaye Khanna, Katrina Kaif, Anil Kapoor

The director duo of Abbas-Mustan strike again. Starring Saif Ali Khan, Bipasha Basu, Akshaye Khanna, Katrina Kaif, Anil Kapoor, and Sameera Reddy, this latest outing of the sibling kings of mainstream Bollywood thrillers makes you appreciate a few things about this pair of seasoned directors: firstly, they stick to what they know and enjoy doing, and secondly, they make a constant effort to improve their craft in spite of being in this game for almost two decades. Race is a cheap and cheerful, unabashedly sleazy thrill-fest that is proud of its populist leanings and its fantastic unrealism. It comes as no surprise to me that this little beast is doing well at the Hindi box office, because it is all the better for its confidence, and I loved every twisted moment of it.

The plot is simple, if you can call it that. Two rich brothers who own a stable of thoroughbreds and race horses for a living are leading a seemingly normal but unbalanced life. One is the ruthless responsible one, and one is the alcoholic do-nothing. They aren’t exactly the spawn of Mother Teresa, but they seem happy enough in their own twisted reality, or are they? The undercurrent is not so much of a mystery or surprise, considering the film begins with a nasty car accident, and soon moves into horse racing machinations and casual murder. This is obviously a world where anything goes, and before the curtains fall you can be sure anything and everything will come and go on the screen in front of you. Needless to say the plot is full of twists, turns, and surprises. I say surprises, because the clever thing about this movie is that even jaded movie buffs such as myself, who can generally read the mind of the scriptwriter a few moves ahead, are genuinely surprised in a few instances. The film always makes it a point to do exactly what you were expecting it to do, but in some counter intuitive direction to keep you guessing till the end. Any thriller that can still provide a few twists in this day and age is OK in my book.

Saif Ali Khan, Akshaye Khanna - Race - Hindi movie review

Considering the subject matter, the cast does an admirable job in bringing believability and a certain gravitas to such larger-than-life characters. Saif Ali Khan and Akshaye Khanna have grown to be admirable performers on screen over the past decade, and they manage to bring a special mania to this plot. Saif Ali Khan is controlled and collected as the elder sibling and Akshaye Khanna returns to his truly endearing state of constant over-acting, which he seems to reserve for his sojourns into the Abbas-Mustan universe, of which he has had many to date — in case you’re wondering, I actually think that is a good thing.

The women do a decent job given the circumstances. Bipasha Basu sizzles with that slightly distant intensity that seems to have won her many fans, Katrina Kaif plays the smouldering good girl of the bunch, and Sameera Reddy throws in a perfectly ditzy role that will have the political-correctness brigade booing from the dress circle and the average viewership laughing at all the pre-packaged but well intentioned humour that comes with the territory. None of the female actors are going to win any awards for this, nor do they deserve to in my book, but they pull off their main function in this piece, which is to look pretty and hang on to every word of their male counter parts. This is very much a traditional (some would say backward) macho action triller, but I look at that as more of a genre rather than a statement of sexual politics. Every thriller can’t be the female-driven beauty that was Ek Hasina Thi (also starring Saif Ali Khan, opposite Urmila Mathondkar), but I don’t think every thriller should be.

On a technical level there is plenty to be proud of and plenty to cringe about in this piece of celluloid. This movie is a masterpiece of editing and shot planning. It is set in South Africa, where all the external shots are filmed, but all the internal shots are in fact filmed in Dubai, an increasingly popular location for the Bombay film industry. I could recognize this fact since I live in Dubai, but for someone who hasn’t been to either of these locations, the editing between the two is seamless, and I can imagine the shot planning and storyboarding for this would have been monumental. I applaud the effort.

In other departments the quality is not as stellar. The songs and music is often truly bad. It was a bit of a joke between Vishal and me that this movie was a large April fools joke until it was released, because in the 2-3 months of promotion preceding it, only the title song was ever shown … over, and over, and over again. Now I realize that it was done because every other song on the Race soundtrack is so monumentally bad. That being said, I must wonder if the complete schlock factor of this film would not be harmed a bit if it had beautiful music. Having covered the state of the music, though, I must emphasize that there are some truly great visual achievements in this movie. While the post-processing and colour grading is abysmal in parts, there are some scenes that are excellent. Some of the day-for-night shots on a rooftop have a surreal flavour that is very fetching. My compliments to the chef.

Katrina Kaif, Sameera Reddy, Saif Ali Khan, Anil Kapoor, Bipasha Basu, Akshaye Khanna - Race - Hindi Movie

Race is one of those movies which millions will enjoy and a vocal few will consider a sign of the end of Indian civilization as we know it. Considering the state of Indian civilization “as we know it”, I’ll be the first one to cheer its demise, but be that as it may, you can count me strongly on the side of the unwashed masses on this one. As long as Abbas-Mustan, Saif Ali Khan, Akhaye Khanna, et. al. are willing to dish out this exquisite slop I, along with countless others, will line up to partake in it. Indian civilization has bigger issues to worry about than entertaining Hindi cinema.

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Manifesto of a Social Malcontent]]> http://samirbharadwaj.com/blog/manifesto-of-a-social-malcontent/ 2008-03-27T09:42:50Z 2008-03-27T09:42:50Z sludge illusive elixir answers truths terrible exemplary prefer Inkblot Clouds - TruthMy elders would have me believe that the world is a terrible place. They would have me believe that it is filled with terrible people, all of whom are out to do me harm. Strangely enough, they themselves are magically exempt from that particular character assassination of the world population. They have only my best at heart, or so they claim. They aim to educate me on the morass of evil that is daily existence. That evil sludge doesn’t include them, of course, because they have found some magical elixir to ward off selfishness, jealousy, greed, and every other misuse of the human mind that plagues the rest of us. Yet they refuse to share this magical elixir for my protection, and only stilted, pessimistic wisdom is on offer.

These exemplary individuals would have me believe that they have the answers — the answers to every human question, and the key to all that haunts me. All it would require of me would be to accept their view of the world and existence as they know it — an existence filled with cloak, dagger, and bickering - an existence where everyone is a lousy human being except me, and them, of course, because they must be exemplary to tell me what I am doing wrong on such a conveniently regular basis. They must have all their worldly affairs in perfect clockwork order to advise me on what my actions lack, and they must be perfect employees, perfect citizens, perfect parents, perfect siblings, and perhaps even perfect human beings to have the leisure to find and point out my hourly blunders.

I am thankful for such incessant support towards my moral betterment. For I know that I am flawed, and I know I have no answers, only questions. Questions that I ask myself to find my way and decide on right, wrong, and grey. Being such a habitual questioner, where would I be without their distrust, their insecurities, their fears, and their sludge-tinted glasses? Where would I be without their truth?

Perhaps I would never settle into the delusion of knowing all the answers and all the questions. Perhaps I would never stumble upon the misconception of knowing everyone’s motivations, their scheming plots, their twisted minds, and their sordid plans for my downfall. Perhaps I would take nothing or no one for granted, and perhaps I would even find myself on that illusive dirt track through the lush forest of life called happiness, without ever expecting to reach a hidden palace of the same name.

Perhaps I will abstain from their truths, because as seductive as the answers are, I do not like what they say. I prefer my questions. I prefer my complex chaos of illusive knowledge than their convenient truths — truths that would raise me to their level of superiority, from where I could look down and survey the world without ever needing to study my countenance in the mirror. I prefer the agony of staring at my imperfect features and striving to higher humanity than the path to wisdom and preeminence that they tantalizingly lay before me.

I do not want to be that person.
Do you?

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Portfolio Presentation at College - Presented & Done]]> http://samirbharadwaj.com/blog/portfolio-presentation-at-college-presented-done/ 2008-03-18T10:05:45Z 2008-03-18T10:05:45Z presentation college online portfolio pdfcreator kompozer scribus openoffice handout overestimated geek The presentation at my college was done on Sunday. I would say it went well, though not quite an outright and complete success. I get the feeling I might have overestimated the level of interest amongst final year university students for this subject matter, and also their level of understanding of basic internet technologies. Perhaps that is a geek affliction.

I do hope it was piqued their curiosity, at least. It certainly resulted in some more thinking on the subject of online portfolios in particular, and some of the trials and tribulations involved. So much so that there was the realisation amongst the group that they had no idea where to begin with building a website, and I might be going in next week to conduct a workshop on creating a simple website from scratch. One seemingly insurmountable task at a time.

While I will write up the contents of the entire presentation as an article here some time soon, I did promise my stressed out, soon to be graduating, audience that I would post links to some of the resources and software I mentioned (I didn’t have the time to prepare a handout before the event, unfortunately), so here they are:

Portfolio PDF Tools

PDFCreator
http://www.pdfforge.org/products/pdfcreator

OpenOffice.org
http://www.openoffice.org

Scribus
http://www.scribus.net

Portfolio Website Tools

KompoZer
http://www.kompozer.net

WordPress
http://www.wordpress.org

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Presentation Preparation and Other Public Speaking Anxieties]]> http://samirbharadwaj.com/blog/presentation-preparation-and-other-public-speaking-anxieties/ 2008-03-14T19:34:54Z 2008-03-14T19:34:54Z presentation public speaking anxiety stage fright portfolio elctronic portfolio presentation preparation I have been invited to give a presentation — a presentation on digital portfolios to be precise. Dr. John Alexander Smith (with whom I’ve worked before), of the Interior Design department at my old college asked me if I would be interested in talking to a class of final year undergraduates on the subject of electronic portfolios and personal websites. Rarely the one to back down from a chance to scare myself to death with seemingly insurmountable tasks, I said yes.

I haven’t given a formal presentation to a group of people in a while. In more recent years, as a freelance designer, I’ve often needed to think on my feet and go into explanatory monologues with clients on occasion, but that sort of spur-of-the moment, spontaneous occurrence was almost never planned and I rarely found it intimidating. This was in large part because I had full confidence in what I was saying. Always a plus.

Say the words presentation or public speaking, however, and most people, myself included, lose sight of the pragmatism demonstrated in my previous example. Then it comes down to pure and unadulterated fear of the fight-or-flight variety.

My encounters with stage fright, public speaking anxiety, and presentation success

Public Speaking Anxiety - presentation preparation

My first experiences on stage was as part of a group. As a kid in school I was into singing. I was in the school choir, and our large group of mostly melodious chipmunks belted out very traditionalist Indian tunes and patriotic fervour at every public occasion. It was fun, and more attractive than the 5-10 minutes of stage time, were all those classes I got to miss legitimately for “practice” before any big event. Being the multi-cultural, multi-religious, and multi-everything place that India is, the calendar of Indian School Muscat was filled with occasions, and the practice was plentiful. The freedom of being able to march out of class unfettered when the call came, and walk the empty corridors as we headed for the music room, was a truly liberating experience for a school kid. Those experiences had more of an impact on me than I consciously give them credit for.

I did a few solo performances around the same time, and while I was not brimming with confidence, I managed to not be reduced to a quivering mass of custard. Into adolescence the singing stopped, changing voices can rarely be pushed too far and there is always the bit of awkwardness that comes with the territory. Then in my last year in school I had a bit of a set back. A solo song/poetry recital with no musical accompaniment went horribly wrong when I stepped on to the stage in front of a few hundred souls and my mind went completely blank as to how the tune went. I could remember the words perfectly, but the melody was suddenly a mystery to me. After what seemed like an eternity of silence, but was more likely a few seconds of utter panic on my part, I just dived in with a made-up tune. Thankfully, it was meant to be more about the poetry on that occasion, and perhaps I did get away with it to some extent. But, I knew I had messed up, and I’m sure the strain showed, and that was enough. A few days later when I was strolling around the school playground, a younger boy came up to me and congratulated me on my performance. A casual, friendly gesture, for which I was truly grateful. I said thank you, but I was never convinced I had really gotten away with it.

Not being one to dwell too consciously on my past demons, my first term in college I signed up for a public speaking course. When registering, I was told it was still available because it was a requirement and because so many were trying to avoid it for as long as possible. I thought it would be best to face this dragon post haste, and I did. My instructor was Huma Ehtisham, and she brought an intellectual intensity to the proceedings that truly got me excited about the prospect of speaking. In spite of the butterflies, the cold sweat, and the (literally) knocking knees, I got through my first 4-minute demonstration with what looked to the audience like complete confidence - at least that is what I’m assuming based on the encouraging applause I received when I had finished, and the paper plane soared into the audience. I had just demonstrated how to make a slightly more sophisticated paper plane.

After that the presentations seemed to get easier a little, although the complete panic was always there and palpable. That class was a great way to start a college education, and I am always glad I took the plunge on that particular occasion. That class, the people in it and the wonderful lady at the helm added a lot to my reserve of confidence and my general thought processes as they have come to be over the years. For that, I am thankful to them all.

What makes a good presentation?

Presentation Tips - presentation preparation

Throughout the rest of my stint as an undergraduate at university, I had the pleasure and the panic of presenting in front of a class on many occasions. By and large they were a resounding success, as long as I was not completely indifferent towards the topic in question. That never really happened because I always made sure I found an angle to everything that would keep me interested above all else. There are many who talk volumes about the importance of holding the interest of the audience in public speaking situations, but I feel not enough is said about the virtues of the speaker holding his/her own interest first.

I also made full use of my growing skills as a visual designer. Where others relied on staid charts and slides with borrowed templates and cumbersome bullet points, I always put in the extra effort to come up with custom designed slides and graphics to stand out and get my point across in a more entertaining way. In the early days I actually worked with video based graphics using the simple Scala 100 video titling software on my ageing Amiga 500. Later I would simply create slide images in graphics packages and then run them as a slideshow with IrfanView or some other small image viewer. Till date I have never used PowerPoint.

Possibly the most important technique in my presentations was the story telling. I tried to make every topic a narration rather than a bunch of facts and figures. Not only did it engage the audience more than bullet point recitals, but it forced me to prepare much more extensively for my presentations. So much so, that I never carried any cue cards or notes during the presentation. I would stand up there with my visuals behind me, and I would talk my well-rehearsed heart out without a care in the world, and without checking any written refreshers. I think the cue-cardless presentation greatly impressed the audience and gave me an immense dose of credibility in their eyes. If the audience thinks you are credible, they listen with more attention and then minor flaws in your delivery are usually ignored. That’s a good place to be.

Presentations, speeches, and public speaking stints of every colour are usually about informing the audience about something. Having said that I find that pure information is never attractive or engaging. Some packaging, and some context is a required embellishment to any message, to keep the audience interested and to keep them listening. In whatever small way possible, no matter how grim the topic, or how serious the information, you must keep them entertained. This doesn’t mean you let off a continuous stream of cheesy one-liners through the duration and try to be funny or amusing all the time, but in your material, or in your visuals, or in your delivery, create a bit of entertainment value. It always pays dividends, because a good presentation is part discourse, part discussion, part performance, and part huddling around the fire with your audience telling them a wondrous story of the world, which they cannot help but listen too. That last part speakers often ignore or forget, but it is essential because in our hearts we are all storytellers and we are all fascinated by a well told tale.

Presentations about portfolios

Online Portfolio Presentation - presentation preparation

That brings me back to now. I have a presentation to deliver on electronic design portfolios, and part of the reason I went through all my stories and advice above was to remind myself of how it is done. It’s easy to take these things for granted sometimes and that never has great results when you find yourself in the hotspot.

Most of my own advice I can take, although some of it might not be appropriate to this particular occasion. The fully prepared and rehearsed presentation will simply not be possible, because I don’t have enough time to prepare and perfect a one hour long presentation, and that is how long it needs to be. That being said, I will obviously have some structure to the thing, and some prepared sections. The rest will have to be more loose and extempore. I think that is a good compromise given the time I have to get this done.

As a topic, electronic portfolios and websites for creative work is a pretty good one, and one that fits in well with my interests and with the broad topics I write about on this site. I have my own solutions to portfolios, as you can see on my works page. While that wasn’t, and still isn’t, meant to be my final and ideal solution, it does its job and communicates to potential clients my range of talents adequately. I have bigger plans for the display and discussion of my work, but they are only plans and once they mature into action, you will be the first to know.

This makes the material that will come out of this presentation even more relevant. How to make a portfolio is a tricky question and one that plagues many a creative soul, so once the presentation is done I would like to put up some of my material here. If I think the information of digital portfolios can be useful, I would be glad to share it with a wider audience on this blog.

Wish me luck, and stay tuned for more as it happens.

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Originality of Creation and the Creativity of Commentary]]> http://samirbharadwaj.com/blog/originality-of-creation-and-the-creativity-of-commentary/ 2008-03-04T23:21:52Z 2008-03-04T23:21:52Z originality myth ideas commentary creativity critic possesive Fern - originality, creativity and inspiration

By all measures, you would consider me to be someone involved in the creative pursuits. I am also a writer and commentator on many things, both on this blog and off. So I do not broach the subject of originality lightly.

The long surviving myth of originality and the stupidity of most criticism as petty fault-finding came up again recently, when Vishal pointed me to yet another meticulously researched site documenting where every popular Hindi song was “lifted” from. The question that once again came to mind was: Is any music truly original?

Don’t get me wrong, there are obviously plenty of blatant copy-cats in every creative field who do not even attempt to camouflage their use of pre-existing material with the sembalance of innovation, but to call someone a creative thief is largely a value judgement that is rarely a measure of intent, and is not anything as dramatic as truth or fact. How is it ok for me to use old photos in my designs, or redo Shakespeare, but it’s not ok for someone to recreate a new tune with slightly different instrumentation? I use public domain images all the time in my work and so does everyone else. We constantly refer to popular culture and collective stories and memories. Does that mean that we are all, each and every one of us, creatively barren?

Does creativity truly mean coming up completely new patterns of thought and expression? If that is so, define “new”. Also, name one new and completely uninspired thought you or anyone else has ever had that had no precedent in nature or human history. If such a miracle would ever occur, it would mean the idea would have to have entered the creator’s mind from without, free from the common conduits of the senses or any other biological means. This would be tantamount to divine intervention. Would that idea be yours to claim, considering it was given to you?

The philosophical conundrum of originality is complex and stems from a very Greco-Roman legacy of thinking, which has purported the fallacy that there is some sacred individual ownership of thought and ideas. If you look back at other cultures, this possesiveness of thought is not as apparent. People have common stories and common memories. When knowledge is passed down through the generations aurally and through public art forms, the individual does not have the luxury of supposing that owning the book or the written notes on a subject somehow result in ownership of the concept itself. People do come up with new ideas in as much they spot connections in the things they sense around them. The building blocks are very much external, and the day someone comes up with a completely new and unsensed building block on which to base a new work, humanity will have finally done its first piece of original thinking.

Beyond this disease of labeling the innovative as original, what is more worrying is the glorification of commentary. We live in an age when the transmission of ideas is less restricted than it ever has been. While this opens up the floodgates of creative expression, it also clears the field for more confident commentary and criticism. Commentary is not a bad thing, and I welcome its educational and mind-changing value. But commentary appears to now be equated to a creative act. To clear things up once and for all, most of the time, it is not.

While it is true that some great thinkers do manage to raise the level of their criticisms to an artform, commentary by a critic on the lack of originality in a work is not just ironic but completely ridiculous, considering their art form depends for its content, structure, and thrust, on someone else’s work. Does the critic then “lift” his material from things he dispises? It would seem so.

Commentary as thought, education, and discussion is vital. Commentary masquerading as such gradiose things as justice, policing, judgements of originality, and straight out irrelevant mud-slinging is a festering disease in the minds of those many unfortunates who shall never create on their own, for lack of talent, tenacity, or both. If we are all such believers in originality, when did parasitism become a creative act?

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[Recapturing the Vibe of Old Time Photos - Fresh Finds]]> http://samirbharadwaj.com/blog/recapturing-the-vibe-of-old-time-photos-fresh-finds/ 2008-02-22T19:16:47Z 2008-02-22T19:16:47Z old photo vintage photography bokeh lindsay lohan valentines coco chanel marilyn monroe After a long gap, I present you with another Fresh Finds and this time I have been browsing with an interest in recreating the look and style of old photos and other vintage visuals.

Old Photos - Girl in a vintage bathing suit

  • Bert Stern recreates Marilyn Monroe’s last photo shoot [CONTAINS NUDITY - If you are alergic, you have been warned]
    If you’ve been anywhere online that’s pop culture or entertainment-centric in the past week or so, you’ve probably come across the fact that Lindsay Lohan has posed for some Monroe-a-like nude photographs. Going beyond the tabloid facts, this is actually a great study for the challenge of recreating old photos, because in this case you have a photographer trying to recreate his own work from 46 years ago, for New York magazine. That has to be a unique situation, the results of which are worth a look.

    While Lohan is no Monroe, the photos themselves are interesting, though I get the feeling the shot selection to decide what goes into the magazine might have been a bit rushed. The set includes some beautiful shots and some mediocre ones, where it seems to be a split-second before or a split-second after what would have been a better composition. Also of interest to photography buffs will be the unfortunately sparse collage of shots behind the scenes of the shoot. Really nice dramatic stuff, on par, if not better than, the final presented pictures.

  • Kate Boswort does Vogue retro shoot
    It would seem Kate Bosworth has also been upto retro photo shenanigans for the US edition of Vogue. Only in this case the inspiration is more indirect and what they came up with is more regular fashion photography with a retro twist. Some interesting images, with a bit of behind the scenes stuff to also keep you busy.
  • Achieving the vintage look
    If you’re interested in the mechanics and technicalities of producing images with that old-world flair using in-camera and studio techniques, this discussion should be of interest. While there is no step-by-step instruction for anything, there are many valuable tricks you can pick up along the way — everything from setting the right depth-of-field, to choosing the right lens.
  • Bokeh
    Bokeh is as much a specific phenomena as it is the lack of something, and that thing is sharpness. Bokeh is that particular smooth fuzzy look you only get when a camera lens is pointed at something that is out of focus. Ken Rockwell explains how this effect is formed and how it is actually being made difficult to achive due to the increasing quality of camera lenses. Sometimes progress comes at a price. If you want to achive those soft portrait photographs of old, you must understand bokeh.
  • Coco Chanel in action
    If you want to recreate old photographs you muct study plenty of good examples. A wide variety of ’study material’ is best. Take these crisp shots of Coco Chanel in her element, for example. They’re excellent examples of the photographic conventions of an era, but they are also simply great photos that any photographer can learn from. As the lady said, “Fashion fades, only style remains the same.”
  • Vintage Valentines Day Photos
    Vintage Japanese Photos
    For more inspiration, look no further than this embarrasingly large collection of old Valentines Day themed photographs, and this blog that is dedicated to posting old Japanese photos. Some of these images are not as staid and static as you might think. A lot of the composition and framing is as dramatic and challenging as any you would see today.
  • Alexia Death’s LOMO and Vintage Effects for GIMP
    GIMP Old Photo Tutorial
    If you’re more of a digital photographer, or would just like to recreate the vintage look with some of your existing images, software comes to your rescue. Here are some interesting automated scripts you can apply in the GIMP. For the more hands-on amongst you, there is also a detailed tutorial on how to create the typical sepia faded vintage look. There is plenty of room for your own personal adjustments in the described techniques.

And that brings us to the end of another round of Fresh Finds. Hope you enjoyed this little stroll down the photographic memory lane, and I hope you have got a few new ideas for recreating some old photo tricks. Enjoy.

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[The Yellow Rubber Ducks Now Live Down On the Farm]]> http://samirbharadwaj.com/blog/the-yellow-rubber-ducks-now-live-down-on-the-farm/ 2008-02-19T22:19:20Z 2008-02-19T22:19:20Z yellow rubber duck environment pollution recycle garbage disposal ecology Yellow Rubber Duck - Garbage, Recycling, EcologyWhen we throw things away, where exactly is “away”?
That was the question put to me by one of my intrepid readers, Pasha, in the context of one of my environmental articles. So enthusiastic was I to give my answer, that the thoughts poured and poured without end. What resulted was an unnatural beast that would never be accepted by the other comments in the tribe, and so it was promoted to being the post that scrolls before you now.

Assuming this question is speaking in terms of physical eventualities rather than abstract philosophies, let us plot the course of human detritus when it leaves our homes. Let us suppose we are talking of a specific item, a plastic toy of some sort, maybe a little yellow “rubber” duck. So, we’re talking of a soft plastic toy which has outgrown its welcome.

If I were a conscientious person, I might add it to my plastics pile of recycleable wastes. Or I could give it away and it would have a new life as a second-hand toy to some grateful kid who doesn’t have any better … but that route still leads to the eventuality of it being disposed, so let’s stick to the first track. The duck is transported to a sorting plant. If the material in it is deemed salvageable, it is sent to the actual recycling part of the process, and if not it goes back into the garbage fork of this great journey (more on that later).

To be recycled, the plastics are chemically modified, broken down, melted or otherwise changed into a more maleable form of basic material. In this process energy is expended, and some part of our now quite unrecognizable duck wafts out of an industrial chimney somwhere, its complex molecules polluting the evening breeze and creating a stunning many-hued sunset. There they will remain, either rising to new heights to be broken down by the harshness of Sol’s ultraviolet radiation in the upper atmosphere, or by the bombardment of cosmic rays that still manage to pierce through the Earth’s magnetic shield. In the end those broken down molecules and even the heavier original molecules will find themselves washed into soil or sea by precipitation.

But that was merely the story of our dead duck’s ephemeral ghost. The main mass of plastics in the bird will join into the large molten vats to be molded into plastic raw materials for other processes, or become useless debris which is of no industrial use. These wastes will once again find themselves dumped into soil, water, or garbage, for lack of laws preventing the same, or the lack of any truly permament solution to “safely” storing dangerous industrial wastes. The remaining plastics will go on to other uses, and our friendly duck will eventually be a proud constituent in a new low-quality plastic bucket, or a beach ball, or a fake wood substitute in a recycled plastic park bench. There our favourite bird will feel right at home in the water, or be bashed around a lot, or sit around and watch the trees, until it has once again outgrown its usefulness. Then this cycle will start all over again.

If I were a less conscientious person, or the duck was not judged worthy by the recycling Gods, or most of it just didn’t quite make it to the boiling vats, then to the garbage it will go. Garbage is a very strange beast. In most modern cities now, it is first put to a trial by fire where a large portion of it is crushed and burned in those monster garbage trucks that prowl your streets at night and devour the contents of entire industrial-size garbage skips in one gulp. During that process, some of our bird would once again bellow out of the garbage truck as smoke to pollute breezes, decorate sunsets, and generally consort with the wafting ghosts of other dead plastic ducks.

What remains in the truck would finally reach the hell-on-earth that is an urban garbage dump. Here millions of archeological piles of human ignorance stand triumphant over millions of older layers that have been pressed further down into the Earth with time. Eventually better sense, or laziness will prevail and the garbage dump will be covered over and the dumping will move on to another site, leaving the old one open to exciting development work on parking lots, or luxury resorts, which ever happens to be more profitable in the prevailing economic cycle. The melted mass that was our late ducky will still be there, somewhere deep in the earth, and its flesh will melt into the soil and be washed by the rains into the waters. Ashes to ashes. Dust to dust. Water to water.

Maybe in a million years some of the super compressed debris that was once a city dump will be converted by the tectonic forces into some exotic form of super-efficient fossil fuel that we have not yet dreamed of in our philosophy, but more likely it will slowly break up in time, clogging the natural systems for thousands of years to come. What the waters carry away will reach other places and other soils and at some point what’s left of our yellow rubber ducky might actually make it down to some farm of the future. There the crops, not knowing what to make of the weird substance clogging their systems, will dump it into leaves, seeds, and fruit, which will eventually be eaten by you.

Finally all those juvenile tries to gnaw at ducky’s beak will have come to bear fruit. Ducky is with you again, and also on a farm, along with toxicity, cancer, and a few other friends we might not have been introduced to yet. … Or I’m completely wrong and by the time ducky’s molecules are reincarnated in a pumpkin, the human race would have been driven to extinction and the environment would be nursing a nasty hangover, but recovering fast.

Either way, I love a happy ending.

Samir

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Samir Bharadwaj http://samirbharadwaj.com <![CDATA[I’m Back and My Dog Ate My Homework]]> http://samirbharadwaj.com/blog/im-back-and-my-dog-ate-my-homework/ 2008-02-18T19:08:32Z 2008-02-18T19:08:32Z im back trip writing comeback Mumbai Bombay travelogue My dog ate my homework

I really need to learn to take my own advice about getting things done. Wait! Hold the presses, I see a new post in this: “How to Take Your Own Advice in 13 Easy Steps”. Brilliant! Absolutely brilliant. I dazzle myself sometimes.

I’ve been back in Dubai from my trip to Bombay for a good many days now. Every since then I have been planning on my grand comeback post. I’m guessing you have gotten to the realisation that I haven’t written it yet. The task of writing that perfect and (in my mind) ever growing post finally seemed so improbable that I decided to just get it over with and write the afterword of sorts that I had planned for that post.

In short, I wanted to inform all you wonderful people out there that I’m back. As some of you have mentioned, I do plan on writing much more about my trip and various things about India. It’s quite an inspirational place really, and it always fills me with a million good ideas. Unfortunately my trips there rarely give me time for relaxed writing stints, and once I’m back here and do have the time, the buzz of India isn’t there to spur me on anymore. Purely an excuse, I know, but true none the less. What life in Dubai is sorely in need of, is life.

But write we must, because what else is there? So, once I mange to kick myself out of my hibernating huddle I plan, nay, I promise to write a whole bunch of articles about the trip and the many days I was silent. My story of a bus ride still remains to be continued and completed. Besides that one, I will also be writing these:

  • The Perils and Promise of the Great Indian Binge
  • Manifesto of a Social Malcontent
  • What You Can Learn By Staking Out a Small Bank
  • Memories Incorporated
    • … and perhaps even others that I haven’t named or planned yet. Hopefully, I can do more than just recap throughout the coming weeks and also slot in some fresh content. Stay tuned!

      It’s strange how much fun writing can be (as it is now while I type this), and also how completely (but secretly) scared you can be to start, to commit, to write the first sentence. But write we must, because what else is there?

      Samir

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